Different Kind Of Mary

I just want to make films that last. I want “Mudbound” to last. In the same way that “Pariah” is still being discovered, I want “Mudbound” to be a film that, five years from now, is still being discovered. It’s not just a Kleenex film, where you watch it once and you’re done with it. That’s why I was glad Netflix got this film, because, for me, “Pariah” got picked up by Focus and got this small platform release ― it got kept alive because of Netflix. I was aware of that, so I had a different idea: When they got “Mudbound,” I was like, “OK, great, it’s going to be kept alive and be available.” It’ll have this simultaneous global audience, which is a different feeling. In terms of their support of the film, this is the most marketing support I’ve ever had for a film. It feels great to have them actively putting this film in front of audiences. The festival support has been amazing. It’s almost been like a reunion. All the festivals we’ve done so far are the festivals with the “Pariah” wins: Sundance, Toronto, London and then New York. In a weird way, it’s like six years later we’re making the same rounds again.


Trending Hairstyles

Source : https://www.huffingtonpost.com/entry/dee-rees-mudbound_us_5a146b8ae4b09650540dc78b

How ‘Mudbound’ Director Dee Rees Convinced Mary J. Blige To Join Her Cast
REVIEW: Haven by Mary Lindsey
FOOTBALL: Camerons are 2 of a kind
Rustic University of Mary Washington campground provides different kind of freshman orientation
Spur of the Moment: Hail Mary’s shadow follows Georgia into different kind of game with USC
An irresponsible Mr Hyde or a caring Mary Poppins: What sort of drinker are you?
CYAC produces "Mary: A Rock Opera" for the 21st year
A very different kind of Bad Behavior among Mary Gaitskill’s women